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61
General musical discussion / Melodiya
« Last post by dhibbard on December 24, 2025, 06:32:35 pm »
Towards the end of the year, Melodiya resumed record production at its own plant in Novosibirsk. Kultura asked Karina Abramyan, First Deputy General Director of Melodiya, to comment on this news.
— How long ago did the idea of ��establishing record production arise? What is the reason for the recent increased demand for vinyl among music lovers, and especially record collectors?
— The idea came to Melodiya's General Director, Andrey Krichevsky, in the summer of 2024. So, it took about fourteen months from the initial concept to its implementation.
As for the increased demand, which has indeed been observed over the past ten to fifteen years... I think it's connected to the trend toward "the desire to own art." In our case, vinyl is a unique way of "owning music." The medium has now reached a certain plateau: that is, mass-market vinyl sales are unlikely to be expected—everything "multi-million" is now digital.
— The four "first signs" of the renewed Russian vinyl industry: David Tukhmanov's album "On the Wave of My Memory," Zodiac's Disco Alliance record, recordings by VIA "Dos-Mukasan," and also... "Autogenic training for alcohol abusers. Emotional-stress psychotherapy session for those wishing to quit smoking."
— The release of "Autogenic Training" is, of course, a pre-New Year's joke, but the recording is nonetheless quite interesting and valuable, as this material hasn't been released on a physical medium for over forty years. Jokes aside, few people remember that, in addition to psychological training, this record also features a wealth of wonderful music: Vivaldi, Saint-Saëns, and Massenet, performed by great musicians—the Rudolf Barshai Orchestra, the Bolshoi Theater Violin Ensemble, and others. As for the other releases, it's simple: these records were consistently immensely popular in the USSR and continue to generate interest among music lovers.
— Which task is Melodiya's higher priority: reissuing famous records from its extensive back catalog or releasing new recordings on vinyl?
— For now, we're primarily focused on releasing the most iconic recordings from our archive. We've already prepared albums dedicated to the works of Alexandra Pakhmutova, Anna German, and the Pesnyary and Orlan ensembles. There will also be time-tested classical music releases featuring artists such as Grigory Sokolov and Vladimir Spivakov. We also plan to release several famous children's records, including "Ali Baba" and "Old Man Hottabych." All of them will go on sale in the spring of 2026.
— The need to revive the domestic vinyl industry is truly long overdue. However, isn't there a concern that something will hinder the triumphant march of records? In the late 1980s and early 1990s, as we recall, records lost the battle to compact discs.
— Observations over the past few decades have shown that vinyl has not only made a comeback but has taken a firm place in music lovers' music collections. However, I wouldn't draw parallels with compact discs in this case. After all, if we're talking about new trends in this area, Zoomers have once again shown a strong interest in both CDs and DVDs. So, I believe that all the previous media will now be able to coexist harmoniously in niche formats within the music community. And that's encouraging: let all flowers bloom!

Denis Bocharov, December 22, 2025
62
Downloads discussion / Bantock - Fifine at the Fair
« Last post by cameronmoss on December 23, 2025, 01:10:02 pm »
About 3 years ago our illustrious leader, Albion, asked if I had a performance of Bantock's Fifine at the Fair broadcast on BBC Radio 3 back in December 2017. I didn't at the time but have just come across it! I hope you are still checking in, John, and that you enjoy this performance.

All the best,
Kevin

https://www.bbc.co.uk/programmes/b09h3t9q
63
Downloads discussion / Re: Cédric Tiberghien
« Last post by cameronmoss on December 22, 2025, 10:14:35 am »
https://www.bbc.co.uk/programmes/m001n83s

Pianist Cédric Tiberghien plays a programme of variations.

Sweelinck: 6 Variations on 'Mein junges Leben hat ein End'
Bach: Chaconne from Partita No. 2 in D minor for solo violin BWV1004, transcribed by Brahms
George Benjamin: Shadowlines
Beethoven: 32 Variations on an Original Theme in C minor WoO. 80
Beethoven: 24 variations on Righini’s arietta 'Venni amore' in D, WoO. 65
Mozart: Piano Sonata in A K331
Beethoven: 6 Variations on an Original Theme in D Op. 76

Cédric Tiberghien piano
64
Downloads discussion / Re: Cédric Tiberghien
« Last post by cameronmoss on December 22, 2025, 08:55:31 am »
Cédric Tiberghien plays piano music by Prokofiev, Philippe Hersant and Mussorgsky at Wigmore Hall.

Recorded at Wigmore Hall on November 5th, 2017.

Prokofiev: Visions fugitives, Op 22
Philippe Hersant: In Black
Mussorgsky: Pictures from an Exhibition

Cédric Tiberghien, piano


https://www.bbc.co.uk/programmes/b09d3q91
65
Downloads discussion / Re: Cédric Tiberghien
« Last post by cameronmoss on December 22, 2025, 08:30:55 am »
A concert from 2016 with Aurora Orchestra and Nicholas Collon featuring Mozart, Liszt and Mendelssohn (full concert)

https://www.bbc.co.uk/programmes/b07xhr5w

Paganini: Caprice No 5
Mozart: Piano Concerto No 6 in B flat, K 238
Liszt: Le mal du pays (Homesickness) from 'Les années de pélèrinage'
Mozart: Piano Concerto No 5 in D, K 175
Mendelssohn: Symphony No 4 in A major, Op 90 (Italian)

Cédric Tiberghien (piano)
Thomas Gould (violin)
Nicholas Collon (conductor)
Aurora Orchestra
66
Downloads discussion / 17.08.16 Les Siècles and François-Xavier Roth
« Last post by cameronmoss on December 22, 2025, 08:10:31 am »
Another recent request is for a Prom from 2017 featuring Cédric Tiberghien with Les Siècles and François-Xavier Roth in a Prom of French Music. This was recorded in the days when I thought 128kbps was the way to go as I'd be able to store more! Sorry  ???

Hope you enjoy

https://www.bbc.co.uk/programmes/b090vc1m

Saint-Saëns: La princesse jaune - overture
Delibes: Lakmé - ballet music
Saint-Saëns: Piano Concerto No. 5 in F major, 'Egyptian'
Franck: Les Djinns
Lalo: Namouna - Suites Nos. 1 and 2 (excerpts)
Saint-Saëns: Samson and Delilah - Bacchanal

Cédric Tiberghien (piano)
Les Siècles
François-Xavier Roth conductor
67
Downloads discussion / Re: Bliss Miracle in the Gorbals (251217 Seal))
« Last post by cameronmoss on December 20, 2025, 05:45:31 pm »
Thank you, duly deleted 👍
68
   
On 23 and 24 October, the prestigious Carnegie Hall in New York hosted the concerts dedicated to the 90th birthday of the composer Arvo Pärt. The performances presented some of Pärt’s most significant works to American audiences. Alongside the birthday concerts, the programme includes visits to New York by Estonian President Alar Karis and Minister of Culture Heidy Purga.

The two concerts featured the Estonian Festival Orchestra, the Estonian Philharmonic Chamber Choir, the Tallinn Chamber Orchestra, and the Trinity Choir from the United States, conducted by Paavo Järvi and Tõnu Kaljuste, with violinists Hans Christian Aavik and Midori, pianist Nico Muhly and soprano Maria Listra. The programme spanned nearly six decades of the composer’s work, including major pieces such as Credo, Adam’s Lament, the iconic Tabula Rasa, Swansong, Cantus in Memory of Benjamin Britten, Stabat Mater, Te Deum and L’abbé Agathon.

Rick Perdian wrote about the concert of 23rd of October: "Composed in 2009, Pärt’s Adam’s Lament had its Carnegie Hall premiere in 2014 with the Estonian Philharmonic Chamber Choir and Tallinn Chamber Orchestra conducted by Tõnu Kaljuste. /.../ The Estonian Philharmonic Chamber Choir was once again at Carnegie Hall giving voice to Pärt’s stolid, Orthodox-style chant. The men’s voices resonated profoundly in their lower ranges, while those of the women etched their lines with crystalline clarity. Voices clashed in exquisite dissonances as penetrating as they were pure, and strings alternated between ethereal sounds and massive chordal slabs. The final lines of the piece were a plea for humility and love from the chorus and orchestra."
69
Downloads discussion / Re: Bliss Miracle in the Gorbals (251217 Seal))
« Last post by Robert Cao on December 20, 2025, 04:51:48 pm »
This performance I think is on a Chandos CD released not long ago, coupled with the Metamorphosis Variations with two variations cut before the premiere reinstated.
70
What are you currently listening to? / Re: What are you currently listening to?
« Last post by cilgwyn on December 20, 2025, 04:10:53 pm »
Of course there is also Leo Fall who was one of the big four,which also includes Oscar Straus (best remembered the UK and the US for 'The Chocolate Soldier') who Richard Traubner and Kurt Ganzl rate on the same level as Kalman and Lehar. I think they're right. Not once during the era of vinyl did Fall's lovely,tuneful,delightfully scored operettas garner a 'complete' recording from any one of the big record labels! Something which Kurt Ganzl (an expert,very possibly/probably the leading expert on musical theatre and a mate of our friend albion)regards as astonishing). Allot of the neglect has been blamed on his early death. No composer to write or promote scores and you get forgotten!).

Thankfully,there is now a big revival in German speaking lands of the genre. Cpo have been recording Fall's operettas and even lesser figures who once composed hits (like Fred!) are getting hearings! I prefer the old highlights cds taken from various 60s and 70s Lps available on Kaiserlische Operette & emi and the 'complete' 50s broadcast recordings,made for German radio (with dialogue) which were released on cd by Membran & Cantus-line some years ago. Most of them sound remarkably good for the era because their radio stations used high quality tape. If they had started using stereo then they might very well be recommendable as a first choice. Some of them even sound better than the famous operetta recordings with Schwarzkopf made in the 50s with Otto Ackermann for emi,which always sounded a little boxy for the era. If only the same team had been able to record Kalman and Leo Fall as well! If you must have modern sound cpo have released recordings of several Leo Fall operettas. I'm always grumbling about some of the more contemporary recordings,but isn't it great that these operettas are being performed and recorded?!  For your money you get booklet notes about the operetta & composer (albeit you might have to decipher some of their infamous translations & essays) and you get to hear Fall's orchestrations in modern digital stereo sound. Reviews of the various releases vary,but the recording of Fall's lovely & very tuneful Der Fidele Bauer (for example) is pretty good! The singing & playing on the old 50s broadcast recording is undoubtedly superior and there is no doubt Franz Marszalek who specialised in this repertoire has more of a feel for the music (like say,Boskovsky for Strauss) and the recording sounds amazingly good for it's age. On the other hand the Cantus & Membran sets are all deleted & you have to look for one at a sensible price! Better still....like me,buy both! ;D :) I would certainly buy more of the cpo recordings if I had the spare dosh (I found the Der Fidele Bauer for around a fiver!) Also,the interest generated by the recent operetta revival and all these new stage productions (in german speaking countries! Alas,not here yet!) and recordings might lead to even better recordings?!

I should also give a mention to Oscar Straus' Ein Walzertraum. One of the great classics of the so-called silver age and one of the most tuneful and romantic scores of the so-called silver age. The emi laserlite reissue of the original emi-electrola recording includes virtually all the music on the original release without the dialogue which some might find repetive or even annoying and the starrily cast 70s emi-electrola recording is superb! (The cd reissue of the original 2 Lp with the dialogue is virtually impossible to find at an affordable price anyway!).

Below a link to the Operetta Research Center. A must visit site for operetta enthusiasts! Full of reviews and articles about operettas.......and not just German & Austrian (Offenbach & Sullivan,Zarzuela et al):

http://operetta-research-center.org/ 
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